Viewers are encouraged to detect Hawkney functions from various perspectives. Courtesy Honolulu Museum of Art / Jordan de Shaneer and his Family Foundation
For most, landing into air means to finally reach heaven. However, for a self-related establishment, white sand beaches and playful palms are only entertaining in a large journey of cultural headonism. A completely different type of paradise can be found behind the doors of Honolulu Museum of Art, where the print of six decades of print by famous British artist David Hawkney is engaged in the biggest print print exhibition of Hawkney till date.
“The perspective must be reversed,” which brings together more than 140 images, collages, photographic functions and iPad sketches in a variety of dimensions of the Jordan Schinizer Family Foundation Collection, inviting you to the artist’s world. The exhibition is presented chronological, with six sections, begins with early functions of Hawkney and ends with digital paintings performed during the height of the epidemic.
Picture by David Hawkney. Courtesy Honolulu Museum of Art / Jordan de Shaneer and his Family Foundation
Each section has immersed the audience in a way in a way in the bright and stild world of Hawkney, which feels intimate – it is pure Hawkney, all signature with reverse perspective and to shift the audience for decades to shift the disappearance points. Series’ (1970), ‘Moving Focus Series’ and IPad Pictures of Artist from 2012.
Another section is dedicated to a series of scenario made from Hawkney memory, printing a portal in a destination thousands of miles from each air. Large -scale prints give the audience a place in the Woodlands of Eastern Yorkshire near the artist’s hometown. Hotel Acatlán’s perspective-trans-view view: On the first day, print takes one to the courtyard of Hawkney’s accidental hotel stay in Mexico. And Hawkney’s pure setting in Normandy print is a mental migration in French rural areas.
David Hawkney’s imagined landscape. Courtesy Honolulu Museum of Art / Jordan de Shaneer and his Family Foundation
The focal point of the exhibition is its name work, the perspective must be reversed (2014), which has both appreciation and artwork of the audience art. In the studio, we invite us to the artist’s studio so that Hawkney stands among a large body of his actions. Then a large card players are painting that breaks the fourth wall, which is integrated into the card -painted game to the viewer.
See also: David Hawkney’s job will act in a new annual auction in Philips
But of course, it has more. The defining exhibition piece that looks at the Flowers takes print from its 2021 ’20 flowers and a big photo ‘series, which is to make a huge picture-in-picture work, showing us two versions of Hawkney, which see a wall of their iPad-drone flowers artifacts from different perspectives. The painting is re -enacted in the exhibition – a wall with the arrangement of furniture in a wall is a complete collection of flowers when displayed as a group for the first time. Honolulu Museum of Art Visitors, in fact, can see what Hawkney seated, where he was sitting or experiences his work, but he prefers by choosing a unique place from where to see the blooms.
On the subject of iPads, walking through the gallery is inspiring, and “perspectives should be reversed” invites us to adopt Hawkney’s approach in another way: making our own masterpiece at a station with ipads with black digital canvas. This is an attractive way to strengthen the embodied journey in the exhibition: a one that not only takes the audience to a distant land, but also through the years of life. Walking through the Honolulu Museum of Art Hall, it is easy to forget that once you step out, you will still stay in heaven. This is a sign of a well -executed exhibition.
,Perspective should be reversed“The Honolulu museum is seen in art through 10 March.
